The main purpose of article is representation of conceptual introduction to a cycle of the future researches devoted to reconstruction of phenomenological views on processes of creation of images of science. That purpose is achieved as a result of detection of key features (the conceptual bases) of pre-phenomenological and phenomenological ways of a reflection of science. Research leans on a method of the comparative analysis. Classical and non-classical variant of creation of images of science were compared. Members of classical philosophy (...) assumed that there is a way to present science in an image of unity of knowledge. Such image could be valid without any exceptions. Since works of Neo-kantianism, modern philosophy has developed the idea that creation of a uniform image of science is problematic. The phenomenology keeps classical idea of unity of images of science, but the unity is interpreted as a complex of «comprehension» intensions of consciousness. Such complex of intensions gives the horizon of judgment of each of images of science in terms of their relations to concrete subject domain. Theoretical value of the work consists in identification of conditions under which phenomenological approach leads to institutionalization of the pluralistic image of science. As a result research leads to the original conclusion that the problem of phenomenology consists in constituting a pluralistic image of science. (shrink)

Rad predstavlja pregled filozofskih casopisa i casopisa iz drugih drustvenih i humanistickih nauka, te drugih?opstekulturnih? casopisa u kojima su objavljivani strucni filozofski prilozi. Pregled obuhvata casopise koji su izlazili u Srbiji i u bivsim jugoslovenskim republikama u periodu od pojavljivanja prvog stampanog casopisa iz oblasti filozofije -?Arhiva za filosofiju, pedagogiju i drustvene nauke? objavljenog 1898. godine pa do danasnjih dana, kada se pokrecu nova?elektronska? izdanja ili se, pak, stara izdanja?prevode? na nove medije i prezentuju putem interneta. Analizirani casopisi su objavljivani (...) na srpskohrvatskom, srpskom, hrvatskom, slovenackom, albanskom i madjarskom jeziku ili su visejezicni, i nalazili su se ili se nalaze u fondovima biblioteka drzave koja je cesto mijenjala naziv i uredjenje, od Kraljevine Srbije do Republike Srbije. (shrink)

Rad predstavlja pregled filozofskih casopisa i casopisa iz drugih drustvenih i humanistickih nauka, te drugih?opstekulturnih? casopisa u kojima su objavljivani strucni filozofski prilozi. Pregled obuhvata casopise koji su izlazili u Srbiji i u bivsim jugoslovenskim republikama u periodu od pojavljivanja prvog stampanog casopisa iz oblasti filozofije -?Arhiva za filosofiju, pedagogiju i drustvene nauke? objavljenog 1898. godine pa do danasnjih dana, kada se pokrecu nova?elektronska? izdanja ili se, pak, stara izdanja?prevode? na nove medije i prezentuju putem interneta. Analizirani casopisi su objavljivani (...) na srpskohrvatskom, srpskom, hrvatskom, slovenackom, albanskom i madjarskom jeziku ili su visejezicni, i nalazili su se ili se nalaze u fondovima biblioteka drzave koja je cesto mijenjala naziv i uredjenje, od Kraljevine Srbije do Republike Srbije. (shrink)

Profesor Krzysztof A. Meissner proponuje obraz transcendencji wynikającej z poznawania świata przez fizykę, która oznacza świat uniwersalnych i niezmiennych praw przyrody. Czy tego rodzaju wypowiedzi są uprawnione na gruncie fizyki, czy też należy uznać je za określony pogląd filozoficzny? Czy istnienie praw przyrody wskazuje na istnienie jakieś transcendencji? Publikacja jest zapisem dyskusji wokół książki: Krzysztof A. Meissner, Fizyk w jaskini światów (rozmawia Jerzy Sosnowski), (Biblioteka Więzi, tom 389, Warszawa 2023), która to dyskusja odbyła się 25 marca 2023 w Instytucie (...) Filozofii UKSW w Warszawie w ramach spotkania Katedry Filozofii Przyrody. ------------------------- Zgłoszono: 08/09/2023. Zrecenzowano: 03/11/2023. Zaakceptowano do publikacji: 15/11/2023. (shrink)

This book’s goal is to give an intellectual context for the following manuscript. -/- Includes bibliographical references and an index. Pages 1-123. 1). Philosophy. 2). Metaphysics. 3). Philosophy, German. 4). Philosophy, German -- 18th century. 5). Philosophy, German and Greek Influences Metaphysics. I. Hegel, Georg Wilhelm Friedrich -- 1770-1831 -- Das älteste Systemprogramm des deutschen Idealismus. II. Rosenzweig, Franz, -- 1886-1929. III. Schelling, Friedrich Wilhelm Joseph von, -- 1775-1854. IV. Hölderlin, Friedrich, -- 1770-1843. V. Ferrer, Daniel Fidel, 1952-. [Translation from (...) German into English of the-- Das älteste Systemprogramm des deutschen Idealismus.]. -/- Note: the manuscript is in the handwriting of G.W.F. Hegel, but the actual authorship is disputed. No date is given. Franz Rosenzweig made up the title as it is known today. He published the text in 1917. At that time, F. Rosenzweig thought F.W.J. Schelling was the author. No one has read this book for errors. As always, any errors, mistakes or oversights etc. are mine alone. Given a couple more years, I could improve this book. This is a philosophical translation and not a philological translation. Martin Luther who did the famous early translation of the Bible into German wrote in a letter, “If anyone does not like my translation, they can ignore it… (September 15, 1530)”. There are no ‘correct’ translations. Some are just better than other translations. -/- The Oldest Systematic Program of German Idealism. The German title is: Das Älteste Systemprogramm Des Deutschen Idealismus. This title was made up by Franz Rosenzweig in 1917, when he first published the manuscript. He found the manuscript in the Royal Library in Berlin in 1913. The manuscript suggested date is around 1796 and was done by handwriting research. However, the manuscript is not dated. The Prussian State Library auctioned in March 1913 from the auction of the house Liepmannssohn in Berlin a single sheet on the front and back with Hegel's cursive handwriting. The manuscript was lost during WWII. But Dieter Henrich found it again in 1979 in the “Biblioteka Jagiellonska” in Krakow (Poland), where it is today. Address: Jagiellonian Library, Jagiellonian University, al. Mickiewicza 22, 30-059 Cracow, Poland. Later research suggests that manuscript had come from the estate of Hegel’s student Friedrich Christoph Förster (1791-1868). He was one of the editors of Hegel’s posthumous works and most likely had access to a number of Hegel’s manuscripts. This text actually being one of them. Hegel traveled around Bohemia with Marie and Friedrich Christoph Förster around the year 1820-21 (see Klaus Vieweg). -/- Philosophical mystery -- who is the author or authors of this text? -/- Take a plunge into the deep and cold waters. Maybe a quagmire or quandary, but decidedly interesting. This project is to contextualize an old handwritten manuscript which is about 225 years old. The actual author is a mystery. I offer my own assessment. You can make your own assessments. The mystery has continued to unfold since 1917. There is plenty to read. Otherwise, think about the authorship and read more of the German philosophers and authors from this period and enjoy the depth of thinking and philosophizing. On one hand, there is just the sheer fun in the puzzle of the authorship questions; and on the other hand, these are the alluring thoughts that lead to the nascent stage of German Idealism and our intellectual heritage. There is no end to the accolades for this group of philosophers. A heritage that we still hear in in our attempts to move forward into our future. -/- Do your own astute exegesis (ἐξήγησις) as all paths are still open. Let your thought take to the wings of what is called thinking with this text. Critical encounters (Auseinandersetzung, or a Gegenüberstellung) with at least: Friedrich Hölderlin (1770-1843) Friedrich Wilhelm Joseph Schelling (1775-1854), and Georg Wilhelm Friedrich Hegel (1770-1831) --- starts here! German Idealism. We are not going to study this situation endlessly, instead we make some broad strokes and provide you a general context. You are allowed to read between the lines too. Goal: to understand the overall affinity and differences between the intellectuals of this period in German history; and to come to grips with this demanding text within its large scholarly context in the last 100 years. There are no final answers. (shrink)

This paper comprises two parts. The first part is an introduction to Auriol’s moderate conceptualism, as it is presented in his Commentary on Book II of the Sentences, distinction 9, question 2, article 1. The second part is an edition of the text. In the introduction, I focus on Auriol’s use of the noetic tool of connotation. My thesis, in particular, is that connotation is a necessary prerequisite to his moderate conceptu- alism. To this purpose, the first part of this (...) introduction will be devoted to a brief presentation of Auriol’s conceptualism. In the second part, Auriol’s theory of essential predication will be presented. In the third part, I will present my claim that Auriol’s theory of essential predication can only be made sense of when read against the background of his theory of connotation as applied to intellectual cognition. Finally, I will offer a collation of Auriol’s Commentary on Book II of the Sentences, dis- tinction 9, question 2, article 1, obtained by collating eight manuscripts, which hand down Auriol’s text, that is, Firenze, Biblioteca nazionale centrale, ms. Conv. Soppr. B.6.121, Firenze, ms. Conv. Soppr. A. 3.120, Napoli, Biblioteca nazionale, ms. VII.C.3, Padova, Biblioteca Antoniana, ms. 161, scaff. ix, Paris, Bibliothèque nationale de France, ms. latin 15867; Pelplin, Biblioteka Seminarium duchownego, ms. 46/85, Vaticano (Città del), Biblioteca Apostolica, ms. Borgiano 404, Vaticano (Città del), Biblioteca Apostolica, ms. Vat. lat. 942. (shrink)

Jakość Życia Seniorów W Xxi Wieku Z Perspektywy Polityki Społecznej Andrzej Klimczuk Wydawnictwo Biblioteka (2010) .

On November 19, 1985, a seminar on the topic "Mind and the Brain: Philosophical Aspects" was held at the M. V. Lomonosov State University at Moscow. It was organized by the journal Philosophical Sciences [Filosofskie nauki], the Division on Scientific Method and the Philosophical Problems of Natural Science of the Philosophical Society of the USSR, the administration of the "Knowledge" [Znanie] Society of the RSFSR, and the Department of Philosophy of the Natural Science Faculties of Moscow State University. Over (...) three hundred persons participated in the seminar, ranging from students, graduate students, instructors at Moscow State University and other institutions of higher learning, to students at the Moscow University Institute for Advanced Teacher Training, associates the Institute of Philosophy of the USSR Academy of Sciences, the Institute of the History of Natural Science and Technology of the Academy of Sciences, the Academy of Social Sciences attached to the CPSU Central Committee, and the Institute of Philosophy of the Latvian SSR Academy of Sciences, etc., to representatives of the editorial boards of the journals Philosophical Sciences, Problems of Philosophy [Voprosy filosofii], The Moscow University Herald [Vestnik MGU], and members of the Scientific Method Council on Philosophy of the "Knowledge" Society of the RSFSR. The seminar attracted the attention of psychologists, physiologists, physicians, biologists, philosophers, physicists, students of literature, etc. (shrink)

Polish edition and translation in preparation for the Polish Academic Press [PWN] for their series on contemporary philosophy classics [Biblioteka Współczesnych Filozofów].

This article draws attention to two newly identified manuscipts transmitting Henricus Totting de Oyta’s Expositio in Meteorologica: ms. Praha, Národní Knihovna Ceské Republiky VIII.E.6 and ms. Kraków, Uniwersytet Jagielloński, Biblioteka Jagiellońska 674. Interestingly, in the Cracovian manuscript Henricus’ Expositio is combined with the second redaction of Nicole Oresme’s Questions on Meteorology. Based on some sample passages, I will show the nature of this compilation. This will lead to a consideration of the structure and the sources of Henricus’ Expositio. In (...) the final part of the article, I will provide some information about the witnesses of Henricus’ commentary, as well as the incipit and the explicit of each book. (shrink)

Book series "Ukrainska Biblioteka" is a cultural and national-educational project of the publishing concern of Ivan Tyktor "Ukrainska Pressa". It was a monthly addition to the newspaper "Nash Prapor" during 1933-1939. Generally, 80 names of these books were issued, which can be divided by the period of formation our state: the princely age, Cossacks and hetmans period, modern age. A separate unit - humour literatures and philosophical-psychological works. "Ukrainska Biblioteka" received from opponents a lot of criticism both positive (...) and negative. Many questions were caused by the rules standardization of printing whose purpose was to make the book more accessible to Ukrainian. Despite the censorship oversight, I. Tyktor was able to increased the amount of printed materials in the native language, and his publishing series found supporters among intelligentsia, bourgeoisie, peasants, young people who "required" not only popular literature, but also highly artistic works. The creative team of "Ukrainska Biblioteka" carefully selected literary novels for publication and spread works of little known writers. Most of them were first published and distributed among Ukrainian people. Ivan Tyktor published books which repeatedly won literary awards established by Galician civic organizations. These were works by H. Zhurba, Yu. Kosach, I. Olbrakht. All these novels disseminated Ukrainian diversity of our culture, helped to emerge into the treasury of human values, self-improvement, performed patriotic and educational function, helped to understand the place and role of our country in history. In this paper the author analyzes library repertoire, work of scientific and editorial team, artistic and compositional component of books and justifies their role in the national-ideological space of Ukrainian based on the literary stories, criticism reviews and notes on the pages of newspapers. (shrink)

Ethical intuitionism is the theory of cognition of moral facts and, what’s closely related, a theory that explores the meaning of moral judgments. I’ve been a proponent of this theory discussing it in some of my writing, most notably in Sens i prawda w etyce [Sense and Truth in Ethics], published as a 49th volume in the ”Biblioteka Myśli Semiotycznej” series. Part I of this paper addresses criticisms that Anna Jedynak raised in her review of my book. In part (...) II, I will discuss a theory of moral behaviour proposed by Bogusław Wolniewicz in two of his articles. I consider the idea of moral cognition following from his conception and contrast it with the notion of moral cognition and moral meaning that follow from ethical intuitionism. I hope that the following discussion will help clarify and explain the main ideas behind ethical intuitionism considered as an epistemological and semiotic theory, however problematic it may appear to be. (shrink)

The authors designated speech culture as the object of this article. The subject of the study is the creative potential of the Honored Artist of the RSFSR Maria Vinogradova in the context of voicing Soviet cartoons. The authors set a goal to identify the range of the potential of speech capabilities in voicing cartoon characters. The methodological basis of the article is content analysis, comparative, statistical, historical and cultural analysis of Soviet animated works, as well as their characters voiced (...) by Maria Vinogradova. The authors, when considering the problem, achieve the following results: from 1954 to 1995, Maria Sergeevna took part in the dubbing of 213 Soviet cartoons. The most fruitful years for the actress in terms of voice acting were 1976 – 15 works; 1975, 1984 - 12 works; 1973 – 11 works; 1974 – 10 works. For 40 years, the actress has voiced 109 animals, 87 boys, 22 girls, 14 indeterminate characters and 9 inanimate objects. In the process of developing the problem, the authors identify categories of voiced characters (boy characters, girl characters, animal characters, object characters, indeterminate characters) and analyze the actress' creativity for the characters she voices belonging to these categorical elements. The novelty of the research lies in the unconventionality of the indicated approach, as well as in the complex analysis of the palette of Maria Vinogradova's speech capabilities. As a result of the study, the authors come to the following conclusions: 1) The high creative rise of the actress was formed in the 1970s - 91 Soviet cartoons were voiced in this decade, which is 42% of the total number of voiced cartoons. 2) The acting role of Maria Sergeevna's travesty confirms the first place in the number of voiced male characters - children and animals. 3) In 15 cartoons, Maria voiced several characters, and in 2 – all the characters, which indicates a wide speech range of the actress. (shrink)

The image of Baba Yaga in the folk culture of the ancient Slavs is considered as an object of research in this work. As an important part of folk culture, Russian folk tales take upon themselves the responsibility to broadcast traditional moral qualities and form the basis of a person's evaluative and emotional attitude to the world. The subject of the study is the transformation and interpretation of the image of Baba Yaga performed by the People's Artist of the (...) class='Hi'>RSFSR Georgy Millar in the film tales directed by Alexander Rowe. The authors set a goal to identify specific features in the interpretations of the image of Baba Yaga by George Millar and to identify the typology of these images. The methodological basis of the article is content analysis, comparative, statistical, historical and cultural analysis of the films narrator Alexander Rowe. The authors, when considering the problem, achieve the following results: Georgy Millar starred in 16 Alexander Rowe's fairy tales, while performing 27 roles; he played Baba Yaga in 4 fairy tales; only the first is the canonical image, the other three images are the personal merit of Georgy Millar. In the process of developing the problem, the authors identify comparative criteria of Baba Yaga images: external features, behavioral characteristics, character traits. The novelty of the research consists in the unconventionality of the indicated approach, as well as in a comprehensive analysis of the palette of creative possibilities of actor Georgy Millar. As a result of the study, the authors come to the following conclusions: 1) the centuries-old image of Baba Yaga is very complex and often contradictory, so it can be transformed and interpreted; 2) Georgy Millar created 4 different images of the same character - Baba Yaga "Witch", Baba Yaga "Old Housewife", Baba Yaga "Mother" and Baba Yaga "The lady.". (shrink)

Florentin Smarandache është një nga shkrimtarët më të talentuar në letërsinë rumune të diasporës. Dashuria e saj për librin ripërtërihet gjithmonë, duke arrdhur tani para lexuesve tanë me një libër të ri të ilustruar dhe të destinuar për lexuesit më të vegjël. Kjo është një befasi e re me disa tregime të bukura për shijen e fëmijëve të ditëve tona. Florentin Smarandache është një adhurues i leximit, një krijesë frymëzimesh të zjarrta për të cilin leximi është bërë një mënyrë e (...) vërtetë jetese, një lloj zgjatje e qenies së tij. Nuk e dimë saktësisht se kur i imagjinonte krijimet e para, por e dimë se ai mësoi të lexonte e të shkruante, me hirin hyjnor, përpara se të hynte në shkollë. Ai ka qenë I magjepsur që atëherë nga fuqia e fjalës, nga mënyra se si u bashkuan për të formuar fjalë dhe nga kuptimet dhe fuqia që mund të sillnin. Pastaj e di se ai mezi priste të huazonte libra nga biblioteka e shkollës dhe se hyri në atë dhomë që dukej e madhe me shumë emocion. Florentini lexonte libër pas libri, duke dashur gjithmonë më shumë, duke pasur parasysh se nuk kalonte mjaftueshëm kohë në shoqërinë e miqve më të mirë që kishte pasur ndonjëherë. Në momentin që hap një libër të ilustruar për fëmijë, hyn në një botë tjetër, ndryshe nga ajo e të rriturve. Jeni të zhytur nga bukuria e botëve të pikturuara me ngjyra nga krijues dhe ilustrues të talentuar, pastaj takoni heronj fantastikë me të cilët gjithçka është e mundur. Autori gjithmonë i ka dashur fëmijët, poezitë dhe tregimet për të vegjlit, sepse librat për fëmijë e kanë magjepsur. Nëse e pyesni veten se si ka nisur të shkruajë, për krimtarin Florentin Smarandache, historia është shumë e bukur. Kur fëmijët filluan të shkonin në shkollë, kishin nevojë për përralla dhe poezi për raste të ndryshme, për vjeshtë, për Vitin e Ri, për dimër, për pranverë, dhe kështu ai filloi të shkruante poezi në letër, ku fëmijët ishin lexuesit dhe kritikët e saj të parë letrarë. (shrink)

This paper addresses the issue of Jacek Dehnel’s presence in Spain. On the one hand, it contains references to Spain within his works: the Francisco Goya family in the novel Saturn. Czarne obrazy z życia mężczyzn z rodziny Goya (W.A.B. Publishers, Warsaw 2011; translated into English as Saturn: Black Paintings from the Lives of the Men in the Goya Family by Antonia Lloyd-Jones, Dedalus, Cambridgeshire 2012) and two maps: Ancient Spain and Modern Spain in the book Kosmografia, czyli trzydzieści apokryfów (...) tułaczych (Biblioteka Narodowa, Warsaw 2012). On the other hand, the paper refers to the translation of Dehnel’s works into Spanish: the novel Lala (W.A.B. Publishers, Warsaw 2006) translated by Jerzy Sławomirski and Anna Rubió as El jardín de Lala (Duomo ediciones, Barcelona 2012; translated into English as Lala by Antonia Lloyd-Jones, Oneworld Publications, London 2019) and eight poems by the poet inside the volume Poesía a contragolpe. Antología de poesía polaca contemporánea (autores nacidos entre 1960 y 1980), selected and translated by Abel Murcia, Gerardo Beltrán and Xavier Farré (Prensas Universitarias de Zaragoza, Zaragoza 2012). Analysis covers one of the poems from the anthology, entitled El abogado Federico G. L. dicta una citación. (shrink)

From the Editors. November 1980 marked the seventieth birthday of the prominent Soviet estheticist, Doctor of Philosophical Sciences, and Honored Scholar of the RSFSR Avner Iakovlevich Zis'. In publishing his article, the editors take the opportunity to congratulate the author on this occasion and to wish him health, good spirits, and further creative successes.